Don’t just stand there. Tweet!

If “Dallas” fans want the TNT drama to stick around for a while, TV ratings expert Marc Berman has some advice for them: Start tweeting.

The amount of buzz a show generates on Facebook, Twitter and similar sites is increasingly important to its chances of survival, says Berman, editor in chief of TV Media Insights, a top industry news site. For example, the ABC Family series “Pretty Little Liars” doesn’t generate huge ratings, “but when you look at what that show does on social media, the numbers are through the roof,” Berman says.

“Pretty Little Liars” generated 391,000 tweets that were seen by 3.9 million users last week, according to media research giant Nielsen, which now measures Twitter chatter about TV shows. The show ranked second only to AMC’s “The Walking Dead,” which generated 484,000 tweets that were seen by 4.9 million users.

“Dallas” has a strong social media presence too. The show’s official Facebook page has received 1.4 million “likes,” and its Twitter feed has 78,000 followers. Berman says fans can support the series this season by talking about it on social media and sharing “Dallas”-related tweets and Facebook posts.

The “Dallas” stars are also getting in on the action. Yesterday, Linda Gray told the Pittsburgh Post-Gazette that she’s even received pointers from TNT — and co-star Josh Henderson — on the ins and outs of social media.

(This season, your Dallas Decoder is doing his part too. I’ll live-tweet each new episode on Monday nights — and to keep the conversations going after the show, my weekly #DallasChat Twitter discussions will move to Tuesday nights.)

Of course, traditional ratings matter too, Berman says. Last year, “Dallas” averaged 2.7 million viewers on Monday nights, but the audience grew to 3.8 million when you include people who record the show on DVRs and watch it later in the week. “The show must hold onto those numbers. If you see it lose 10 percent or 20 percent of its audience, that won’t be good,” he says.

And yes, DVR numbers matter. “Nobody looks at one set of numbers anymore. With ‘Dallas,’ you’re adding another million viewers [through DVR playback]. That’s important,” he says.

Berman also thinks it’s a good sign that TNT will give the show a midseason break. The cable channel plans to show the season’s first eight episodes in the winter and spring, and then put the series on hiatus until the summer, when the final seven hours will be telecast.

Summers are less competitive, and when “Dallas’s” first season was shown in the summer of 2012, the series averaged 4.2 million viewers. “By breaking up [the third season], you’re going to give ‘Dallas’ a better shot at staying on the air,” Berman says.

So what does Berman, a longtime “Dallas” fan, think of the new season? He’s seen the first two episodes and is impressed with the way the writers have made J.R.’s legacy part of the storyline. “It’s honoring Larry Hagman’s memory the way the original series honored Jim Davis’s memory after he died. They’ve done it really, really well,” he says.

We’re Pumped

Fill ‘er up

The real-life Ewing Energies gas station will open today at 466 10th Avenue in New York City.

Henderson, in his guise as John Ross, announced the news in a video posted this morning to “Dallas’s” Facebook page. “The price of gasoline — it’s out of your control. But not mine,” John Ross says.

The gas will sell for just $1.98 a gallon — but for today only. As John Ross explains, “Unlike our competitors, who want to rob you blind, I just want to make us both rich.”

If you can’t make it to the station today, you can visit the “Dallas” Facebook page to enter a sweepstakes to win “Black Gold” gift cards.

Look Who Else is Tweeting (and Talking)

Speaking of tweeting: If you’re looking for Julie Gonzalo after 3 p.m. Eastern today, check Twitter. The “Dallas” star says she’ll live-tweet the afternoon portion of TNT’s 26-hour “Dallas” marathon, which kicked off last night and will culminate tonight at 9 with the debut of the third-season premiere, “The Return.”

Meanwhile, Gonzalo’s co-stars are hitting the talk-show circuit to promote Season 3.

Henderson will appear on “Live with Kelly and Michael” today and “The Wendy Williams Show” on Friday, February 28. Both shows are syndicated, so check your local listings.

According to Gray’s Facebook page, she’ll also appear on “Live with Kelly and Michael” soon. Gray’s post also indicates she’ll guest on “Today,” “Piers Morgan Tonight,” “Watch What Happens Live” and “Katie.” Precise airdates haven’t been announced.

Finally, Patrick Duffy is scheduled to drop by “Live with Kelly and Michael” on Friday, March 7.

Boy, Kelly Ripa and Michael Strahan must love discussing “Dallas” as much as we do!

We’ve Got It Covered

Your Dallas Decoder is going to work harder than ever to deliver exceptional coverage of “Dallas” this season. In case you missed it, here’s an overview of our plans.

“Drill Bits,” a roundup of news about TNT’s “Dallas,” is published regularly. Share your thoughts in the comments section below.

On “Dallas,” Miss Ellie was a strong woman who married two strong men: Jock Ewing, her first husband, and Clayton Farlow, her second. Each man brought unique qualities to his relationship with Ellie, but which one suited her best?

Your #DallasChat Daily question: Who was a better husband to Miss Ellie — Jock or Clayton?

Share your thoughts in the comments section below. Have a great discussion!

J.R. Ewing scored a lot of big deals on “Dallas,” including secretly mortgaging Southfork to finance risky Asian oil leases, duping his friends into buying the leases when the wells were nationalized, undercutting the cartel by opening a chain of cheap gas stations and becoming chairman of Westar (although that last one may or may not have actually happened).

Your #DallasChat Daily question: What was J.R.’s biggest business triumph?

Share your thoughts in the comments section below. Have a great discussion!

Jock Ewing is “Dallas’s” original grand daddy. He instilled ambition and an unrelenting drive in his eldest son J.R., openly favored youngest son Bobby and struggled to connect with middle son Gary. Toward the end of his life, Jock discovered he was also the biological father of longtime Southfork ranch foreman Ray Krebbs, whom he welcomed into the family fold with open arms, even though it rankled other members of his family.

Your #DallasChat Daily question: Was Jock Ewing a good father?

Share your thoughts in the comments section below. Have a great discussion!

Every “Dallas” fan knows Bobby was Jock’s favorite son, but figuring out which daughter-in-law he favored is a bit tougher.

Jock was no fan of Pam when she arrived at Southfork, but he movingly persuaded her to stay at the ranch when Bobby threatened to take her and leave after her first miscarriage. Jock scolded Sue Ellen when she went missing after J.R.’s shooting, but he also rushed to her defense when Cliff claimed he was John Ross’s father. Jock was friends with Donna before she got together with Ray, but when the couple’s relationship hit a rough patch, he refused to intervene. As for Valene? Yes, Jock helped prevent her from raising Lucy, but the old man also showed up at Gary and Val’s second wedding, hoping to mend fences.

Your #DallasChat Daily question: Which one of Jock’s daughters-in-law did he like best?

Share your thoughts in the comments section below. Have a great discussion!

Jock Ewing played favorites with his sons, choosing Bobby over J.R. How would he feel about the next generation of Ewing boys?

Your #DallasChat Daily question: If Jock were still around, who would be his favorite grandson — John Ross or Christopher?

Share your thoughts in the comments section below. Have a great discussion!

The Ewing Barbecues were one of the original “Dallas’s” best traditions. Do you have a favorite?

Was it Jock and Digger’s disastrous reunion during the first-season finale, or Pam’s tragic fall from the hayloft at the end of that episode? How about Sue Ellen and Cliff’s flirty dance during the first barbecue of 1982, or the Ewings’ tense showdown with the cartel at that year’s second hoedown? What about Jamie and Marilee’s bitchy confrontation in 1984, or Dandy Dandridge’s drunken shooting spree in 1987?

Your #DallasChat Daily question: What’s your favorite “Dallas” barbecue?

Share your comments below and join other #DallasChat Daily discussions.

Everyone loves the weddings on the original “Dallas.” Do you have a favorite?

Was it Lucy and Mitch’s 1981 extravaganza, or Miss Ellie and Clayton’s understated 1984 affair? How about J.R. and Sue Ellen’s remarriage in 1982, or Bobby and Pam’s second-time-around in 1986? Perhaps you prefer J.R. and Cally’s union in 1989, or Bobby and April’s 1990 nuptials?

Your #DallasChat Daily question: What’s your favorite “Dallas” wedding?

Share your comments below and join other #DallasChat Daily discussions.

Triple threat

You’re invited to Dallas Decoder’s next #DallasChat on Twitter, which I’ll hold Monday, August 4, from 9 to 10 p.m. Eastern time.

We’ll discuss three of the “Dallas” franchise’s most fascinating characters — John Ross Ewing Sr., John Ross Ewing Jr. and John Ross Ewing III — so our theme will be: “All Our J.R.s.”

If you have ideas for questions, leave them in the comments section below, tweet them to me @DallasDecoder or post them to my Facebook page. I may choose one or more questions and ask them during our discussion.

New to #DallasChat? Here’s how it works: For one hour, I tweet 10 questions to my fellow “Dallas” fans. Each question is numbered and includes the hashtag #DallasChat, so your answers should do the same. Please include the show’s official hashtag, #DallasTNT, in your tweets too.

Here’s a sample exchange:

Q1. Who’s a better businessman: Jock, J.R. or John Ross? #DallasTNT #DallasChat

A1. Sorry J.R. and John Ross, but I’ve got to go with Jock. After all, he started the Ewing empire from nothing! #Dallas TNT #DallasChat

Two tips:

• During the discussion, enter #DallasChat in Twitter’s search field. This will help you watch the search results so you can follow the conversation. Click “All” to see all the related tweets.
• Be sure to include #DallasChat in your tweets. This allows the other participants to see your contributions to the conversation.

I hope you can join the discussion. See you tonight!

To honor Jim Davis’s performance on “Dallas,” Dallas Decoder and Cook In/Dine Out offer a Jock-inspired “Dallas Drinks” cocktail. Enjoy!

His kingdom of dirt

Bobby Ewing is the steward of Southfork, but Patrick Duffy is the steward of Bobby Ewing. In “Hurt,” Duffy steps behind the camera and directs his first “Dallas” episode in more than two decades, demonstrating how well he knows both his character and the mythology that defines this franchise. This is an hour rooted in “Dallas” history, with references to Jock, Miss Ellie, the Barnes/Ewing feud and of course J.R., whose presence here is as strong as it was in last year’s funeral episode. Just as importantly, “Hurt” reveals Duffy’s knack for the conventions of modern “Dallas” storytelling, including cinematic, made-for-HD shots of Southfork and a musical montage that’s destined to be remembered as one of this show’s most moving.

Between the two of them, Duffy and scriptwriter Aaron Allen transform “Hurt” into a showcase for the “Dallas” ensemble, beginning with the riveting post-credits showdown, when Elena gathers the Ewings together and exposes the plot to frame Cliff. The staging evokes memories of the original cast standing around the living room, knocking back drinks and trading quips, although it also plays like a parlor scene out of a Miss Marple mystery. (One difference: On “Dallas,” everyone is guilty of something.) Next, Josh Henderson and Julie Gonzalo’s estranged spouses, John Ross and Pamela, have a nicely measured confrontation on the Southfork lawn, followed by a long-awaited moment of catharsis for Brenda Strong’s Ann, who finally gets to say what every fan’s been thinking lately: Isn’t Bobby being a hypocrite when he accuses his wife of keeping secrets from him?

Duffy also elicits a strong performance from Jordana Brewster, who brings the right mix of determination and doubt to Elena’s scenes, as well as another moving turn from Marlene Forte and a fun-but-too-brief appearance by Ken Kercheval, who gives us a glimpse of old-school Cliff Barnes giddiness when the character learns he’ll be getting out of jail. Of course, no one delivers for Duffy quite like his longtime friend and co-star, Linda Gray. In one of “Hurt’s” most powerful scenes, she confronts Bobby about not telling her the truth about J.R.’s death, allowing Gray to go from anger to disbelief to bitter disappointment. Her parting shot — “Miss Ellie would be ashamed of you” — is one for the ages. I can’t imagine any words that would hurt Bobby more, can you? (Also: Shades of Barbara Bel Geddes’ memorable “You both sicken me!” line to Jim Davis and Larry Hagman in “The New Mrs. Ewing,” the first of 29 episodes Duffy helmed during the original show’s run.)

Bobby and Sue Ellen’s scene also allows “Dallas” to address a mystery that has puzzled fans since her eulogy in “J.R.’s Masterpiece”: Why did J.R. invite his ex-wife to dinner if he knew he was never going to make it back to Dallas in the first place? I’ve always thought of J.R.’s invitation as a metaphor — he wasn’t asking Sue Ellen on a date, he was asking her to forgive him — which seems to be the subtext of Gray’s next great scene, when Sue Ellen visits Bum’s humble home in her quest for answers. The conversation ends with Bum asking Sue Ellen to forgive him. Her haunting response: “You’re not the one I need to forgive.” (In a lovely nod to Kevin Page, the wonderful actor and artist who makes Bum so sweetly charming, we also learn the character is the painter behind the J.R. portrait hanging at Ewing Global.)

Of course, Duffy is smart enough to give himself several good scenes too. If Bobby has gotten a little off course this season — always yelling at Ann and John Ross — “Hurt” might be remembered as the episode that puts him back on track, or at least the segment that makes him sympathetic again. In “Hurt’s” most poignant moment, Bobby enters Southfork, which stands empty after the rest of the Ewings have walked out on him. For an instant, he’s become J.R. at the end of the original series, wandering around that big house after he’s driven away everyone else. Then, with Johnny Cash’s “Hurt” playing in the background, Bobby demolishes his study in a flash of rage. The song might have been written about the horrors of drug addiction, but with its references to a “crown of thorns” and an “empire of dirt,” is it not also the perfect song for our favorite martyr-like rancher?

I also have to appreciate how expertly this sequence is edited, especially when Cash sings “my sweetest friend” and J.R.’s face, smiling from behind the framed glass, fills the screen. Indeed, “Hurt” can be seen as a kind of companion piece to the elegiac “J.R.’s Masterpiece.” It’s fitting that our hero’s final scheme falls apart here, given how many of his schemes backfired during the original series. Allen’s script seems to acknowledge this when Elena delivers her comments about how the Ewings “rushed to sentimentalize” J.R. after his death. She might as well be talking about the “Dallas” audience — although for the record, I believe J.R. did change in old age. Of course, I’m also the first to admit that I’ve always worshipped at the altar of J.R. Ewing, even before he was redeemed.

Elena’s comments are an example of how Allen’s “Dallas” scripts always contain dialogue that sticks with you. Another example is Henderson and Gonzalo’s conversation on the lawn in “Hurt.” John Ross: “If you give me the chance, Pamela, I’ll fix everything.” Pamela: “I don’t want you to fix things. I want you to stop breaking them.” I also love this episode’s sharper exchanges, beginning with John Ross’s farewell to Elena and Nicolas, which Henderson delivers with perfect acidity (“Y’all can both go to hell”), as well as Bobby’s description of his family’s longest-running conflict and Elena’s non-role in it: “The Barnes/Ewing feud is a whole other beast. And it doesn’t involve you. You want to take that dog for a walk? Fine. But if it bites somebody, it’s because you let it.” This sounds like the sort of thing a Texan would say, does it not?

I also like how “Hurt” gives the “Dallas” women the upper hand in several scenes. It’s good to see Sue Ellen figure out Bum shot J.R., and I appreciate how Elena puts the power to pardon Cliff in Pamela’s hands, although I’m not sure what to make of Elena giving Pamela land that Jock “stole” from Digger. Then again, the origins of the Barnes/Ewing war have always been kind of murky. In that spirit, I even like Ann’s common-sense prescription to resolving the conflict — “You end a blood feud by walking away from it” — although I sure as hell hope no one on this show ever follows that advice.

I even like “Hurt” because of what it doesn’t contain: Duffy and Allen give us no whiplash-inducing plot twists, choosing instead to offer character-driven surprises like the revelation about Bum’s artistic skills. Yes, this episode’s drug cartel sequences get in the way of the real drama involving the Ewings, but at least one of those scenes features Emma Bell’s Emma Ryland, who is always a kick. Her conversation with Luis about the Beach Boys is kind of kooky, but it’s also an example of another Allen signature: Recall Carlos Bernard’s monologue about dancing in “Collateral Damage” and Mitch Pileggi’s speech about Komodo dragons in “Let Me In.” Sometimes it’s clearer than others what the characters are really saying in these scenes, but for me at least, figuring it out is part of the fun.

Ultimately, any complaints about the cartel scenes are quibbles, because no matter how you slice it, this is a terrific hour of “Dallas.” It’s an achievement for everyone involved, but most of all Duffy, whose turn in the director’s chair marks the first time someone who had a hand in shaping the storytelling on the original series does something similar for the sequel. We’ve known for a while that Duffy is still capable of dazzling us when he steps in front of the “Dallas” cameras, and now we know the same is also true when he works behind the scenes.

Grade: A

_______________________________________________________________________________________________________________________________________________

Hurts so good

‘HURT’

Season 3, Episode 11

Telecast: September 1, 2014

Writer: Aaron Allen

Director: Patrick Duffy

Synopsis: Elena tells the Ewings how J.R. swindled her father and also exposes Bobby, John Ross and Christopher’s conspiracy to frame Cliff for J.R.’s “murder.” Bobby is chastised by Ann, Pamela and Sue Ellen, who later confronts Bum. Bobby agrees to give Elena restitution and land and arranges for Cliff to be pardoned, but Elena gives both the parcel and the clemency paperwork to Pamela, telling her she should decide if her father gets out of prison. John Ross learns Nicolas sent the video to Pamela and retaliates by telling Nicolas that Elena slept with him to get her hands on J.R.’s letter. Nicolas forgives Elena and leaves town with her, but not before consulting the mysterious Victor Des Lauriers about Ewing Global’s looming initial public offering. Christopher realizes Nicolas is Elena’s childhood friend, Joaquin. Harris tells Emma about his work with the CIA after he learns she’s been meeting with the cartel.

Cast: Emma Bell (Emma Ryland), Jordana Brewster (Elena Ramos), Juan Pablo Di Pace (Nicolas Treviño), Patrick Duffy (Bobby Ewing), Marlene Forte (Carmen Ramos), Julie Gonzalo (Pamela Ewing), Linda Gray (Sue Ellen Ewing), Josh Henderson (John Ross Ewing), Antonio Jaramillo (Luis), Ken Kercheval (Cliff Barnes), Jesse Metcalfe (Christopher Ewing), Kevin Page (Bum), Gino Anthony Pesi (George Tatangelo), Mitch Pileggi (Harris Ryland), Max Ryan (Victor Des Lauriers), Brenda Strong (Ann Ewing)

“Hurt” is available at DallasTNT.com, Amazon and iTunes. Watch the episode and share your comments below.

Master of the universe

Remember when “Dallas” ruled the world? Here are 36 experiences shared by fans who’ve loved the show since its heyday.

1. Getting together with the fam on Friday nights to watch the show.

2. Feeling excited when you saw this because it meant “Dallas” was up next.

3. Getting chills when the “Dallas” theme music began. It didn’t matter how many times we’d heard it before, we always got chills.

4. Loving when these two fought.

5. Loving when these two made up.

6. Loving these two. Period.

7. The highlight of each season premiere? Seeing how everyone’s split-screen would be updated.

8. Wondering whose face would get covered by Leonard Katzman’s name at the end of each episode.

9. Wondering who would get shot, blown up or soaked at the end of each season.

10. Obsessing over this.

11. Hating summer.

12. Covering your school folders with these.

13. Trying to trade your Cliff for a J.R. or Bobby. How come no one ever took us up on the offer?

14. Dressing “Dallas.”

15. Drinking “Dallas.”

16. Playing “Dallas.”

17. Flipping out.

18. Dreaming of visiting Southfork.

19. Wanting to smell like Southfork.

20. Reading the National Enquirer to learn the latest spoilers.

21. Rolling your eyes whenever someone said “Dynasty” was better than “Dallas.”

22. Devouring this book.

23. Skipping NBC’s Thanksgiving Day parade coverage because CBS’s coverage was always hosted by the “Dallas” stars.

24. Wondering why “Dallas” never did holiday episodes. At least we got to see the Ewings celebrate on magazine covers.

25. Wondering why Barbara Bel Geddes won only one Emmy for playing Miss Ellie.

26. Wondering why Larry Hagman never won any Emmys for playing J.R.

27. Worshipping Linda Gray.

28. Crushing on Patrick Duffy.

29. Crushing on Victoria Principal.

30. Wanting to have Victoria’s body, beauty and diet.

31. Washing your hair with Jhirmack because Victoria did.

32. Wearing Justin boots because Jim Davis did.

33. Wearing BVDs because Larry did.

34. Hating J.R.? Nope. Never.

35. Just loving him.

36. Always.

What are your favorite “Dallas” memories? Share them in the comments section below and read more Dal-Lists.

Several people who contributed to “Dallas” died during the past 12 months. Here’s a list of those we lost, along with notable deaths that occurred among the show’s extended family. Click on each person’s name to learn more about his or her career at IMDb.com.

James Avery

James Avery

December 31, 2013 (age 68)

Avery, who is best known as Uncle Phil on “The Fresh Prince of Bel-Air,” played Fowler, the judge who allowed Bobby to keep Christopher in the 11th–season episode “Malice in Dallas.”

Jerry Biggs

Jerry Biggs

Died March 30 (age 63)

Biggs appeared in bit parts in three episodes between 1982 and 1986, including playing a customer who flirted with Lucy at the Hot Biscuit in the eighth-season episode “Family.”

Lew Brown

Lew Brown

Died July 27 (age 89)

Brown played Clarence, a Ewing Oil employee, in the seventh-season episode “My Brother’s Keeper.” He returned for two 10th-season episodes as Harrigan, a newspaperman who exposed J.R.’s connection to B.D. Calhoun.

Robert Cawley

Robert Cawley

Died June 23 (age 85)

Cawley played an instructor at the ice-skating rink where Bobby and Christopher met Lisa Alden in “Tough Love,” an 11th-season episode. He also played an oil field worker in the 1998 “Dallas” reunion movie, “War of the Ewings.”

Vince Davis

Vince Davis

Died May 23 (age 59)

Davis played one of Sue Ellen’s business advisors in the 10th-season episode “Once and Future King” and a waiter who served J.R. and Wilson and Kimberly Cryder in “Hustling,” an 11th-season entry.

Michael Filerman

Michael Filerman

Died January 25 (age 75)

Filerman, “Dallas’s” executive program supervisor in 1978, later served as executive producer of “Knots Landing,” “Falcon Crest,” “Flamingo Road,” “Sisters” and other prime-time serials.

Med Flory

Med Flory

Died March 12 (age 87)

In the third-season episode “The Lost Child,” Flory played private eye Cal McBride, who J.R. hired to follow Sue Ellen when she began secretly seeing Dr. Elby. Other credits include “Lassie” and “Daniel Boone.”

Stefan Gierasch

Stefan Gierasch

Died September 6 (age 88)

Gierasch played Ben Masters, the storekeeper who helped Tom Owens seek revenge against Jock in the third-season classic “The Dove Hunt.” Other credits include a 1992 episode of “Knots Landing.”

Michael A. Hoey

Michael A. Hoey

Died August 17 (age 79)

Hoey directed “Missing,” a ninth-season episode, along with multiple episodes of “Falcon Crest” and “Fame.” He later produced several Primetime Creative Arts Emmy broadcasts.

Russell Johnson

Russell Johnson

Died January 16 (age 89)

Johnson, the Professor on “Gilligan’s Island,” played Sheriff Wyatt Mansfield in the ninth-season episode “Twenty-Four Hours.” Other credits include “Vanished,” a 1971 TV movie with Larry Hagman, Jim Davis and Denny Miller.

Dennis Lipscomb

Dennis Lipscomb

Died July 30 (age 72)

Lipscomb played Nelson Harding, an IRS agent who helped J.R. pressure the Ewings to declare Jock dead, in the sixth-season episode “Billion Dollar Question.” His later credits include episodes of “ER” and “The X-Files.”

Ann Marcus

Ann Marcus

Died December 3 (age 93)

Marcus, a writer on “Peyton Place,” helped revitalize “Knots Landing” during its next-to-last season and co-wrote “Knots Landing: Back to the Cul-de-Sac” with “Dallas” scribe Lisa Seidman.

Frank Marth

Frank Marth

Died January 12 (age 91)

Marth played Dr. Sidney Grovner, Lucy’s physician, in “Billion Dollar Question.” He also played doctors on “Starsky & Hutch,” “The Six Million Dollar Man” and “Aloha Means Goodbye,” a 1974 TV movie.

Denny Miller

Denny Miller

Died September 9 (age 80)

Miller, a star of “Wagon Train,” played Max Flowers, Cliff’s foreman at Gold Canyon 340, in four episodes during the seventh season. Miller and Hagman also did episodes of “The Rockford Files” and “Barnaby Jones” together.

Ed Nelson

Ed Nelson

Died August 9 (age 85)

“Peyton Place” star Nelson originated the role of Jeb Amos in the second-season classic “Bypass.” Nelson and “Dallas” producer Leonard Katzman also worked together on a 1955 film, “New Orleans Uncensored.”

Byron Weiss

Byron Weiss

Died March 14 (age 51)

Weiss performed stunts for “War of the Ewings” and two TNT episodes, “Blame Game” and “Guilt By Association.” He also worked on Jesse Metcalfe’s 2010 series, “Chase,” and the Katzman-produced “Walker, Texas Ranger.”

What do you remember about these artists and their contributions to the “Dallas” franchise? Share your memories below and read last year’s tributes.

“Dallas” has given us many classic romantic pairings. Vote for your favorite or share other options in the comments section below.

Share your comments below and check out Dallas Decoder’s other polls.

J.R. will always be “Dallas’s” greatest character, but who’s the runner-up? Vote for your choice or share other options in the comments section.

Share your comments below and check out Dallas Decoder’s other polls.

Here’s a list of “Dallas” characters who were killed off for a variety of reasons. Choose one character who should have stayed alive, even if it meant recasting the role with another actor.

Share your comments below and check out Dallas Decoder’s other polls.

Love to love them

“Dallas” debuted 37 years ago today. Here’s why we still love the Ewings.

Drive us crazy

37. “Digger’s Daughter.” Bobby marries Pam, Lucy and Ray take a roll in the hay and Jock calls J.R. a jackass. Could this show have gotten off to a better start?

Big house on the prairie

36. Southfork. To a lot of us, the white house on Braddock Road is more revered than the one on Pennsylvania Avenue.

Is blood thicker than liquor?

35. Bourbon and branch. Forget oil. This is what really fueled the Ewing empire.

Can’t touch this

34. Every time Jock asks for “a touch” of bourbon. Spoiler: It was always more than a touch.

Stop or mom will shoot

33. “Ray, get me the shotgun out of the hall closet.” The quintessential Miss Ellie moment.

Long walk

32. Pam’s middle screen during the opening credits. It never changed! For almost a decade, she never stopped crossing the Southfork lawn.

Fishy

31. J.R.’s first visit to “Knots Landing.” J.R.: Hey, that is good. What do you call this? Valene: Tuna fish.

Smirky

30. Kristin Shepard. So much more than the answer to a trivia question.

About face

29. Sue Ellen’s 180s. No one does the slow, dramatic turn better.

Clean scream

28. The cleaning lady who found J.R. Her reaction alone made it worth waiting eight months to find out who shot him.

Moment of truth

27. “It was you, Kristin, who shot J.R.” The most famous line in “Dallas” history.

Daddy’s decree

26. “Real power is something you take.” Or maybe this is the show’s most famous line. Six words that encapsulate the Ewing creed.

He sizzles

25. Breakfast on the patio. Would you like some insults with your bacon?

Them pipes!

24. The musical stylings of Miss Afton Cooper. She can steal us away anytime she wants.

Bleeds it leads

23. Headlines like these. The editors of The Dallas Press: The only people more obsessed with the Ewings than we are.

Snake in the grass

22. “Hey, Ray. … You getting good mileage on Donna’s car?” So nice of him to be concerned, isn’t it?

Wind ’em up

21. Donna vs. Bonnie. “Dallas’s” best barroom brawl.

Will power

20. Daddy’s will. Pitting your hyper-competitive sons against each other in a yearlong battle for control of the family empire? Sounds like a plan!

Watch out, wallpaper

19. “I’m going to drink myself into oblivion.” And she damn near did.

Paging KITT

18. The synthesized seventh-season theme music. We half expect Knight Rider to come roaring into the credits.

Oh, that lighting!

17. Bradford May’s cinematography. The Ewings never looked as gorgeous as they did from 1983 to 1984.

J.R. Ewing here

16. The phone at the Oil Baron’s Club. Be careful with that thing or you’ll poke out Dora Mae’s eye!

Yes, sparklers

15. Lucy’s modeling career. There’s nothing about this picture I don’t love.

Hat attack

14. Katherine Wentworth. How can you blame a gal for going a little nuts over Bobby Ewing? Also: the hats!

Turban renewal

13. When Sue Ellen changed into this outfit to go to the movies. What, you mean you didn’t wear something similar when you saw “Porky’s II” in 1984?

The best loser

12. Cliff Barnes. As essential to the “Dallas” mythology as any Ewing. Ken Kercheval is brilliant.

Drip drop

11. “Marilee, you all right, honey? Did it go up your nose?” Best pool dunking ever.

Buzz kill

10. When Bobby flat lines, jolting Pam. Gets us every time.

Who says cowboys don’t cry?

9. … And then when Ray loses it. Few things move me more than this moment.

What a dream

8. The The dream season. Look, we love Bobby as much as anyone, but this is one of “Dallas’s” best years — especially where the leading ladies are concerned.

Mr. Clean

7. Bobby’s return. Was the dream explanation a cop-out? Sure, but who’s going to complain about seeing Patrick Duffy in the shower?

The long goodbye

6. Pam. Give the lady her due: Fans spent twice as long clamoring for her return as she spent on the show.

Word

5. “John Ross, this is Ewing Oil.” Chills.

A star is born

4. Brad Pitt’s hair. Also: “Randy”!

Woman of the hour

3. “J.R.’s Masterpiece.” Linda Gray’s tour de force. If you can watch this episode without bawling like a baby, you’re stronger than me.

Another star is born

2. “I am not my father!” Chills again!

Forever our hero

1. Larry Hagman. How we loved this man. What an actor! What a guy! We’ll never stop missing him, and we’ll always be grateful he shared his gift with the world.

Why do you love “Dallas”? Share your comments below and read more “Dal-Lists.” 

New mom rising

Even after all these years, it’s still strange to see Donna Reed play Miss Ellie. Reed’s first episode is “Homecoming,” and as soon as she enters the frame in the famous scene where Ellie and Clayton arrive at their airport upon returning from their honeymoon, you can see how different the newcomer is from the actress she succeeds, Barbara Bel Geddes. Reed wears a stylish dress and jewelry, her hair is coiffed and when the camera moves in for her first close-up, she breaks into a bright, toothy smile. When Bel Geddes was Mama, did we ever see her teeth?

None of this is to say Reed is miscast as Miss Ellie. Consider the options facing the “Dallas” producers when the ailing Bel Geddes decided to retire in the spring of 1984. Since killing off Mama would have been heresy — and since no one would have bought her leaving Southfork to live happily ever after off-screen with new husband Clayton — the most viable alternative was to recast the role. There’s no disputing the regal Reed was an unusual choice to replace the downhome Bel Geddes, but if the producers had hired an actress who looked and acted more like the original, would it have made us miss Bel Geddes any less? At least Reed offered a new interpretation instead of an imitation.

Of course, this doesn’t make it any less jarring to see Larry Hagman and Patrick Duffy calling Reed “Mama” in the airport scene, or to watch her and Howard Keel retire at the end of the episode to the set that served as Jim Davis and Bel Geddes’ on-screen bedroom for so many years. (As soon as I saw Reed and Keel there, I couldn’t help but flash back to Jock entering the room and finding Ellie in tears after her mastectomy.) To the producers’ credit, they seem to anticipate this will be the audience’s response and build this episode around Clayton moving into Southfork and realizing he’ll be sharing his new home with Jock’s ghost. I’m sure the show would have told this story if Bel Geddes were still playing Ellie, but I get the feeling the producers use it here to send a kind of subliminal message to the audience: Just as you want the Ewings to accept Clayton, we want you to give Reed a chance.

Even if that wasn’t the producers’ intent, that’s what I plan to do. Reed appeared in 23 additional episodes after “Homecoming,” and I want to approach each one with an open mind. No, Donna Reed isn’t Barbara Bel Geddes, but who is? What’s the point of bemoaning the fact that the two actresses have different styles? I give Reed a lot of credit for having the courage to replace one of the most beloved performers on one of the most popular television shows of the 1980s. It didn’t help matters that “Dallas” entered syndication a few weeks before Reed began her run as Ellie, which meant viewers could watch reruns from the show’s glory years with Bel Geddes every weekday afternoon and then tune in to new episodes on Friday nights to see her replacement.

In this instance, those viewers saw an episode that stands up pretty well to anything from the Bel Geddes era. The novelty of Reed’s debut aside, this is the eighth season’s strongest episode yet. I admire how the show devotes so much time to telling the story of Clayton’s introduction to life at Southfork. I especially appreciate how Arthur Bernard Lewis’s script gives us so many different points of view: In addition to the poignant final scene where Clayton addresses Jock’s portrait (“You still live here Jock. It’s still your house”), there’s a scene earlier in the episode where the Ewing brothers wrestle with the fact that a new man will be sleeping in the room Daddy once shared with Mama. It sounds like another example of adult Ewings being concerned with matters they’re too old to be worried about, except I know a lot of grownups in real life who struggle to accept stepparents.

Indeed, this episode is full of little reminders of how unique “Dallas” was among the era’s prime-time soap operas. Yes, this is a show where Sue Ellen Ewing considers buying a $1,095 dress at The Store, but it’s also a show where Ray Krebbs ruins his and Donna’s dinner by forgetting to turn on the microwave. There’s also charm in seeing the Ewings going to the airport to pick up Clayton and Ellie, as well as the scene where the family sits around and reminisces about the old days. These are small moments, but they help make the characters feel like real, knowable people.

Some final thoughts: “Homecoming” marks the beginning of Michael Alldredge’s four-episode run as Steve Jackson, the salvage man Pam hires to recover Mark’s plane wreckage. Alldredge previously appeared during the fourth season as Don Horton, one of the detectives who investigated J.R.’s shooting, and he returns yet again during the show’s final year as Carter McKay’s attorney, Ray King. Additionally, there are some memorable lines in this episode, beginning with J.R.’s crack about Pam’s inheritance from Mark (“I tell you, that woman has a knack for piling up unearned dollars”). Later, when J.R. says John Ross doesn’t know “half the nicknames” people call him, Sue Ellen responds, “That’s because he’s too young to know words like that.”

In an episode about life’s transitions, isn’t it nice to know some things at Southfork never change?

Grade: A

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Daddy’s home

‘HOMECOMING’

Season 8, Episode 7

Airdate: November 9, 1984

Audience: 22.2 million homes, ranking 1st in the weekly ratings

Writer: Arthur Bernard Lewis

Director: Gwen Arner

Synopsis: Miss Ellie and Clayton return to Southfork, where he feels overshadowed by Jock’s memory. Pam hires a salvage company to search for Mark’s missing plane. Mandy tells Cliff she overheard Sue Ellen confide in Jamie that J.R. is worried about Cliff’s success. Eddie realizes there’s more to Lucy than meets the eye.

Cast: Michael Alldredge (Steve Jackson), Norman Bennett (Al), Roseanna Christiansen (Teresa), Patrick Duffy (Bobby Ewing), Tony Garcia (Raoul), Linda Gray (Sue Ellen Ewing), Larry Hagman (J.R. Ewing), Jenilee Harrison (Jamie Ewing), Susan Howard (Donna Krebbs), Barry Jenner (Dr. Jerry Kenderson), Steve Kanaly (Ray Krebbs), Omri Katz (John Ross Ewing), Howard Keel (Clayton Farlow), Ken Kercheval (Cliff Barnes), Fredric Lehne (Eddie Cronin), Priscilla Beaulieu Presley (Jenna Wade), Victoria Principal (Pam Ewing), Donna Reed (Miss Ellie Farlow), Sherril Lynn Rettino (Jackie Dugan), Marina Rice (Angela), Deborah Shelton (Mandy Winger), Christopher Stone (Dave Stratton), Charlene Tilton (Lucy Ewing), Kathleen York (Betty)

“Homecoming” is available on DVD and at Amazon and iTunes. Watch the episode and share your comments below.

Keepers of the faith

Who doesn’t get chills at the end of “The Wind of Change”? Pam takes the podium at the Oil Baron’s Ball and delivers a stirring tribute to Bobby, then announces she’s decided to not sell Christopher’s share of Ewing Oil to Jeremy Wendell. As Pam exits the stage to applause, J.R. — who’s been desperately fighting Wendell’s takeover — rushes to his ex-sister-in-law’s side and praises her “wise and historic decision.” J.R. assumes Pam is going to sell the shares to him, but she quickly bursts his bubble. “I’m not selling at all,” she says. “From now on, it’s going to be you and me. I’ll see you at the office, partner.”

This is a great scene for a lot of reasons, beginning with the way it allows Pam to slide into Bobby’s old role as J.R.’s most effective antagonist. In one swoop, she manages to save J.R.’s bacon and ruin his day — just like Bobby used to do. The twist also carries more than a hint of destiny: Early plans for “Dallas” called for Bobby to be killed off at the end of the first season, leaving Pam as the spirited young widow, fighting for her place in the Ewing empire. Now Victoria Principal finally gets to play that character, except the conflict is far richer because the show has almost a decade’s worth of conflict between J.R. and Pam to draw upon.

Just as importantly, the Oil Baron’s Ball scene casts Pam in another role: as a kindred spirit to Miss Ellie. Earlier in “The Wind of Change,” Mama visits Pam and talks about how she used to dream of John Ross and Christopher growing up, side by side. “And then they’d finally start running the business together the way Jock used to — tough, honest,” Ellie says. “I had faith that they’d always do the right thing. I had faith.” It’s another nicely written monologue from Peter Dunne — delivered beautifully by Barbara Bel Geddes — and it lends extra poignancy to Pam’s big speech at the end of the episode. Her decision to hold onto the Ewing Oil shares doesn’t just mean Christopher will one day follow in Bobby’s footsteps; it also means Pam is poised to succeed Ellie as keeper of the Ewing faith.

‘I’m Pregnant Now!’

Into the fire

With its emphasis on family and legacy, “The Wind of Change” bears more than a passing resemblance to the third-season classic “Ellie Saves the Day,” another episode that found the Ewing empire on the brink of ending. Both episodes are filled with somber moments, although “The Wind of Change” takes the theme of dashed dreams one step further with a subplot about Ray and the pregnant Donna learning their child will be born with Down syndrome. The performances from Steve Kanaly and Susan Howard are believably anguished, especially in the scene where Ray suggests Donna abort the child. “You can get pregnant again,” he says. “I’m pregnant now!” she shouts. We’re used to the Krebbses keeping “Dallas” grounded, but never have their problems felt this real.

And yet “The Wind of Change” manages to be a fun episode too, doesn’t it? The scenes at the Oil Baron’s Ball are everything we’ve come to expect from these affairs. When J.R. isn’t smiling and pretending he’s not seething about Wendell’s takeover, he’s discreetly caressing mistress Mandy Winger’s arm — something his nosy mother-in-law, Patricia Shepard, doesn’t miss. The ball scenes also find mysterious newcomer Angelica Nero spying Jack across the crowded room (this is Barbara Carrera’s “Dallas” debut), Jamie tossing a cream pie in Cliff’s face and Sue Ellen’s triumphant return to the public eye after her latest sanitarium stay.

The latter scene is shot from Sue Ellen’s point of view, an example of the visual flair that was a hallmark of director Corey Allen, helming his first “Dallas” episode since the second season. In another “Wind of Change” scene, Allen shoots Priscilla Beaulieu Presley and Shalane McCall galloping across a Southfork field on horseback (shades of Jim Davis’s cattle drive scene in “Bypass,” Allen’s first “Dallas” episode), while a breakfast conversation between Ellie and Clayton is staged on the Southfork balcony, which offers such dramatic, sweeping views of the ranch, I’ll never understand why other directors didn’t use the setting more often. I also love the cross-cut editing between Ray and Donna’s argument over their child and Jack and Jenna’s conversation about what the Krebbses are enduring.

The other great artistic achievement in “The Wind of Change” belongs to costume designer Travilla, who outfitted the actresses in gowns that became iconic. The secrets behind the dresses are almost as interesting as what we saw on screen. According to a newspaper article quoted in Barbara Curran’s book, “Dallas: The Complete Story of the World’s Favorite Prime-Time Soap,” the beaded black gown worn by Bel Geddes weighed 20 pounds and cost $5,000, while Principal’s white dress weighed 30 pounds, making it hard for her to walk. As for Gray’s famous black dress? It was lined with plastic bags attached with safety pins.

Sue Ellen may be sober, but I guess she hasn’t completely left her bag lady days behind her. Who knew?

Grade: A+

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Dallas deflation

‘THE WIND OF CHANGE’

Season 9, Episode 7

Airdate: November 1, 1985

Audience: 20.2 million homes, ranking 7th in the weekly ratings

Writer: Peter Dunne

Director: Corey Allen

Synopsis: At the Oil Baron’s Ball, Bobby is named Oilman of the Year, prompting Pam to change her mind about selling Christopher’s share of Ewing Oil to Jeremy Wendell. Sue Ellen leaves the sanitarium and moves in with her mother, while Mandy returns to Dallas and resumes her relationship with J.R. Ray and Donna learn their child will be born with Down syndrome.

Cast: John Beck (Mark Graison), Barbara Bel Geddes (Miss Ellie Farlow), Barbara Carrera (Angelica Nero), Fern Fitzgerald (Marilee Stone), Tony Garcia (Raoul), Linda Gray (Sue Ellen Ewing), Larry Hagman (J.R. Ewing), Joshua Harris (Christopher Ewing), Jenilee Harrison (Jamie Ewing), Susan Howard (Donna Krebbs), Steve Kanaly (Ray Krebbs), Omri Katz (John Ross Ewing), Howard Keel (Clayton Farlow), Ken Kercheval (Cliff Barnes), Frances Lee McCain (Dr. Amy Rose), Shalane McCall (Charlie Wade), Greg Michaels (Private eye), Priscilla Beaulieu Presley (Jenna Wade), Martha Scott (Patricia Shepard), Victoria Principal (Pam Ewing), Karen Radcliffe (Barbara), Dack Rambo (Jack Ewing), Carol Sanchez (Angela), sDeborah Shelton (Mandy Winger), William Smithers (Jeremy Wendell), Don Starr (Jordan Lee)

“The Wind of Change” is available on DVD and at Amazon and iTunes. Watch the episode and share your comments below.

Power and glory

It’s another red-letter day in “Dallas” history.

Thirty-five years ago today, CBS aired “Executive Wife,” the episode in which Jock famously schools Bobby on the Ewing creed: “Real power is something you take!”

I ranked the scene fifth on my list of “Dallas’s” greatest moments a few years ago and also wrote about it when TNT’s sequel series paid homage to the exchange.

Earlier today, I paid tribute again by recreating the scene on Twitter (similar to what I did when another famous scene — the “Who Shot J.R.?” revelation — turned 35 in November).

Click on Bobby’s tweet below to read the full transcript. I hope it will spark a fresh conversation about “Dallas,” the Ewings and the use of “real power.”

What are your perspectives on Jock and Bobby’s famous “real power” scene? Share your comments below and read more features from Dallas Decoder.